The Economy of Music - Friday, 30 October

The Economy of Music on Friday covers more immediate concerns about strengthening business and re-connecting artists and other rights holders with income in such sessions as 'New Label Architecture', collecting money, holding onto it, and new markets in the Middle East and in East Africa.

	The New Label Architecture Emerges New models for record labels Erik Gilbert (pictured), Independent Online Distribution Alliance (USA) with Ivan Duran, Stonetree Records (Belize); Hanna Gorjaczkowska, Crammed Discs (Belgium) and Dmitri Vietze, Rock Paper Scissors (USA)
Photo by Fotoatelier Brune	Master Class How to Avoid Withholding Taxes on Performances and Royalties Harald Grams (pictured), Grams & Partner (Germany) with Dick Molenaar, All Arts (The Netherlands)
Photo by Lisa Liarte	Music Markets in the Middle East Insights into an underestimated market Maxime Duda (pictured), LEOPArts (France/Lebanon) with Jad Souaid, Basement (Lebanon) and Michelle Paulikevitch, LEOPArts (Lebanon)
Photo by Carl Ganter	The Money Is Where The Music Is Collecting millions from your performance royalties as an artist or label John Simson (pictured), SoundExchange (USA) with Jose Luis Sevillano, AIE (Spain); Nicholas Motsatse, SAMRO/CISAC (South Africa); Dominic McGonigal, PPL (UK) and Bruno Boutleux, ADAMI (France)
	Music, Money and Growth in East Africa Loulou Cherinet (pictured), Selam (Sweden/Ethiopia) with James Isabirye, Selam (Uganda); Dudu Sarr, Selam (Senegal/UK); Johan Wallin, Selam (Sweden/Tanzania) and Girum Mezmur, Selam (Ethiopia)
Photo by Kim Jacobs	New Methods for Breaking Artists Collective action is the way forward Lemez Lovas (pictured), artist/producer/writer, (UK) with Bernard Batzen, Azimuth (France) with Pim Betist, SellaBand (The Netherlands) and Peter Smidt, Buma Cultuur (The Netherlands)

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