The 10th Annual WOMEX Award for World Music

Dear WOMEXicanos,


WOMEX is proud to announce the winner of the WOMEX Award 2008...

Muzsikás

in this, their 35th year. This is the group of artists who put Hungarian folk music on the international map. With their collaborations with Márta Sebastyén, and now in their superlative work since she departed, they have been the foremost ambassadors for music from Hungary, with a special emphasis on music from Transylvania. "Without Muzsikás, the Hungarian "táncház (dancehouse)" movement, the special Hungarian klezmer-revival and the bridge between Hungarian folk music and Béla Bartók's work would not exist," says Csaba Lok ös, Promoter of the world music stage at the Sziget Festival and a long-term collaborator with the artists.

In an essay to be published in the WOMEX 08 Guide, Joe Boyd, whose Hannibal label released the artists internationally from 1987-2001, writes, "Exposure on the world stage certainly bestows pride and confidence on beleaguered traditional cultures, be it the Garifuna people of Central America, the Griots of West Africa or Occitan speakers of the Mediterranean coast of France. But it is not often that music places itself at the centre of the most important issues of the day, and even rarer that that music touches the hearts and minds of those both within the culture and those who have only the vaguest notions about it. The Hungarian group Muzsikás, recipients of this year's Womex Award, has accomplished all of that and more.

"They began their careers at a time of political tension and conflict over culture far more intense than anything most of us have experienced," continues Boyd. Under Soviet control, "most urban residents' idea of their own folk music was shaped by the stodgy, choreographed, fake music performed by state, regional and local ensembles." The emphasis was on dance and, under the Soviets, they were stereotypically stylised. In Budapest, "the small 'Bela Bartok' dance ensemble came up with the radical idea to go into the villages and observe how people danced in the countryside. The resulting performances were so radical that an outraged state ensemble challenged them to a 'dance-off'. The audience booed the state ensemble off the stage, and the great Hungarian 'dance-house' movement was born."

From within the movement, the members of Muzsikás met, joined up, and made history. "One idea favoured at these early dances," says Boyd, "was that musicians must learn to dance and dancers must learn to play - it was impossible to do either with real feeling unless you understood both sides of the bandstand." With that pact came the birth of the new Hungarian folk music scene.

László Marton Távolodó, journalist and Artistic Director of The Sziget Festival world music stage, sees their contributions spread evenly over their many years of activity. In 1977 their first album launched the Living Hungarian Folk Music series, putting on vinyl the music that would influence generations to follow. At the beginning of the '90s, says László, "Muzsikás also helped strengthen the international klezmer-revival. Their "Máramaros - The Lost Jewish Music of Transylvania" album from 1992 contained not only touching and lively music, but it is also of great significance to music history." This was a remarkable project where the artists, still joined by Márta Sebastyén, went searching throughout Máramaros in Transylvania, finding aged Roma musicians who still remembered the tunes played by Hungarian-Jewish musicians 30-40 years before. "The album recalls these tunes," explains László, "witnessing the existence of a special Hungarian-Jewish instrumental music which had particular characteristics in comparison to the better-known Hungarian and Jewish folk music." And so a music that would have disappeared altogether in a matter of a few more years was brought back to life on the international stage. Then 1998 brought yet another major milestone, "The Bartók Album" that "reconstructed the experiences of Béla Bartók as folk music collector, recalling the particular music that so inspired Bartók" in some of his key compositions. The renown that came from the project, he says, "inspired Muzsikás to take further steps in exploring the meeting ground between classical and folk music." as well of the Finnish folk scene itself. Mission accomplished.

In recent years, says Joe Boyd, some members have gone and others joined, but the core remains intacts, as does the vision. "Whatever their line-up, they inspire, they communicate and they bring a sense of history, both ancient and modern."way in folk music also."

"If you want to hear Hungarian traditional music at its best then start with Muzsikás," says Songlines editor Simon Broughton. "They can play with the authenticity and energy of a real village band, but also make sense of that music for an international audience in a big concert hall. Muzsikás know their music inside out - they have been to the Transylvanian villages where it is played and have worked with the master musicians who live the music. In Hungary, the band have brought traditional Hungarian music to thousands of school kids showing its beauty and relevance. Sadly, as the villages of Romania catch up with the rest of Europe, this music is disappearing. The international success of Muzsikás not only makes the music better known, but helps it survive at source as people realise that it has a value internationally."

"Muszikás didn't only bring this gift to the people of their land," says Mondomix Editor Benjamin MiNiMuM, "they shared it with the whole wide world. They not only presented us one of the most moving voices of our era, when they played with Márta Sebestyén, but introduced us to the roots of klezmer music as played in Transylvania, and so, too, the wonderful tradition of Táncház music and dance. Yes we are so blessed that Muzsikás exists."

"We take so much now for granted," says Boyd. "Listening to Muzsikás connects us to a time and a place when music was intrinsically a political statement and playing your instrument a certain way was a courageous act. The intensity of those times has never left Muzsikás and we remain lucky to be able to commemorate the spirit of those times and these wonderful musicians with this award."

Muzsikás will be performing live at WOMEX to close the Sunday Awards ceremony on the 2nd of November 2008.

The WOMEX Award is now ten years old. In the past we have alternated our honours between the extraordinary artists and professionals from our community. This year we have decided to present two WOMEX Awards, one to Muzsikás and the other to the folk music department of the Sibelius Academy in Helsinki, Finland.

Which brings us to the second reason WOMEX selected this year's inaugural Award winners. Not only have they pioneered a programme in folk music that has had a lasting impact on music in Finland, but they have generously shared the model with institutions throughout Europe and abroad to help them develop theirs. This is a connection, they stress, that has benefitted both sides in a rich exchange of ideas and active partnerships. But credit where credit is due. "Its success has been an inspiration for similar courses in other countries, more recently in Ireland, England and Scotland," said Sandra Joyce and Niall Keegan, Course Directors in Irish traditional music at the University of Limerick, who have worked directly with the Sibelius Academy in creating their own programme.

For more information on Muzsikás:
www.muzsikas.hu

For more information on the WOMEX Awards:
www.womex.com/realwomex/awards
Check back regulary on our new homepage at:
www.womex.com


Stay tuned and keep in touch!
Best regards from your WOMEX team in Berlin

Next WOMEX deadline:
Friday, 29 August for booking WOMEX Guide advertisements

womex@womex.com
www.womex.com
Slow Internet connection?
Go to http://www.womex.com/realwomex/ www.myspace.com/womex

WOMEX Sevilla / 29 October - 2 November 2008
Do Business, Catch Up, and Get Ahead!

back