South America's hottest Cumbia Orchestra
Chico Trujillo is Chile's most prominent Cumbia band. They are the soundtrack to every party from Santiago to Valparaiso. They can fill stadiums. Their mixture of classic cumbia and hints of rock and ska has assured them audiences from every generation and every walk of life.
Chico Trujillo started as an offshoot of punk/Ska band LaFloripondio in 1999. Thirteen years and five albums later, the offshoot has come to symbolize a uniquely Chilean cocktail. One that is rooted in the cumbias of the pre-Pinochet days and manages to incorporate every aspect of Chile's popular culture. They have meshed bits and pieces of Chile's fragemented past with the global influence of alternative culture and merged it all under the pan-latin banner of Cumbia.
It's the first time since ska erupted out of Jamaican onto the world’s dance floors (three times over) that a a popular musical movement not born in the United States is going global. This time, though, it’s a hispanophone movement, making huge headways in Latin America, Europe and Japan.
Besides touring extensively in Chile and Southamerica the band has been seen/heard in:
-Roskilde Festival. Denmark (2010)
-Nuits du Sud de Vence Festival. France (2010)
-Esperanzah Festival. Belgium (2010)
-House of Blues. Chicago, U.S.A. (2010)
-European Tour 2010 (more than 50 shows)
-USA tour, March 2011 (Los Angeles, Sacramento, San José, San Francisco, Oakland, New York, SXSW Festival, Austin, Texas)
-European Tour 2011 (more than 30 shows)Germany, Belgium, France, Spain, Netherlands, Sweden, Norway, Portugal, Serbia, Morocco.
-Lollapalooza Festival. Chicago, U.S.A. (2011)
-Museum of Modern Art.New York, U.S.A. (2011)
-Playboy Jazz Festival. Los Angeles, U.S.A. (2012)
-Vive Latino Festival, Mexico (2013)
-Paleo Festival, Switzerland (2014)
“Lollapalooza Chile has introduced me to a world-class party band: Chico Trujillo [...] Every party band needs a rhythm, and Aldo Asenjo, the band’s leader and singer, relies on cumbia, the beat heard in countless variations across Latin America.” New-York Times 2011