Iberi at WOMEX, Photo: Jacob Crawfurd
IBERI at Bimhuis, Photo by Sanne Schouwink
Iberi choir, Photo Andrew Cronshaw
Iberi Choir, Photo: Andrew Cronshaw


These are just preview samples. You need a valid account and be logged in to hear the full tracks


These are just preview samples. You need a valid account and be logged in to watch the full clips

Line up

  • Amiran Ramishvili (tenor, krimanchuli)
  • Archil Uturashvili (bass)
  • Bidzina Murgulia (II Tenor, Bass )
  • Davit Kuradze (bass)
  • Giorgi Kapanadze (I tenor)
  • Giorgi Khutsishvili (I, II Tenor )
  • Giorgi Mamulashvili (bass)
  • Ioseb Tkeshelashvili (bass)
  • Levan Mamulashvili (I Tenor)
  • Mikheil Javakhishvili (I, II Tenor )
  • Mikheil Tavartkiladze (bass)



Blokes in black coats and boots, with rows of cartridges on their chests, long knives on their belts. Not an invasion force, but singers. Gorgeously rich, shifting blocks of improvising harmony, sometimes with wild, crowing falsetto over the growling basses and soaring tenors.

As Georgian culture has become more city-centred and pop-influenced its unique polyphonic singing has been seen as threatened, and it’s on UNESCO’s list of Oral and Intangible Masterpieces of Humanity, but a new wave of singers are embracing it.

An outstanding example, the vocal group Iberi (in ancient times Georgia was called Iberia) perform songs from across Georgia’s ten regions.

Singing for them isn’t just dramatic and intense stage performance, it’s a social thing; at the long table of a supra, a feast that’s at the centre of Georgian life, the many courses and Georgian wine just keep on coming and so do the toasts and songs - work songs, carols, hymns, love songs, historical ballads, a praise song for the 12-13thC Queen Tamar (so powerful she was canonised by the Georgian Orthodox church as King Tamar), and very old songs from the pre-Christian era such as Lile, to the sun, and Kviria, the goddess of fertility.

Booking: worldwide except Georgia