McCoy Tyner
- country:USA
- label:Blue Note
- gender:male
- artist submitted by:
It is not an overstatement to say that modern jazz has been shaped by the music of McCoy Tyner. His blues based piano style, replete with sophisticated chords and an explosively percussive left hand has transcended conventional styles to become one of the most identifiable sounds in improvised music. His harmonic contributions and dramatic rhythmic devices form the vocabulary of a majority of jazz pianists.
Born in 1938 in Philadelphia, he became a part of the fertile jazz and R&B scene of the early '50s. His parents imbued him with a love for music from an early age. His mother encouraged him to explore his musical interests through formal training. The young pianist fell under the spell of blues and bebop at an early age leading jam sessions in his mother's beauty shop and winning talent shows. McCoy's decision to study piano was reinforced when he encountered the legendary bebop pianist Bud Powell, who was a neighbor of the family's. Another major influence on Tyner's playing was Thelonious Monk, whose percussive attacks would inform Tyner's signature style.
As a teenager in the 50s, Tyner often found opportunities to learn directly from other notable based musicians. He played with numerous natives of the thriving hometown jazz scene, including trumpeter Lee Morgan and the Heath Brothers, and even led his own septet.
At 17 he began a career changing relationship with Miles Davis' sideman saxophonist John Coltrane. While Tyner patiently waited for Coltrane to leave Miles' group and start his own band, another saxophonist, Benny Golson invited Tyner to join him and trumpeter Art Farmer in forming a New York based ensemble, Jazztet.
Tyner finally joined Coltrane for the classic album My Favorite Things (1960), and remained at the core of what became one of the most seminal groups in jazz history, The John Coltrane Quartet. The band, which also included drummer Elvin Jones and bassist Jimmy Garrison, had an extraordinary chemistry, fostered in part by Tyner's almost familial relationship with Coltrane.
From 1960 through 1965, Tyner's name was propelled to international renown, as he developed a new vocabulary that transcended the piano styles of the time, providing a unique harmonic underpinning and rhythmic charge essential to the
group's sound. He performed on Coltrane's classic recordings such as Live at the Village Vanguard, Impressions and Coltrane's signature suite, A Love Supreme.
In 1965, after over five years with Coltrane's quartet, Tyner left the group to explore his destiny as a composer and bandleader. But when Tyner broke out as a leader, he found that the American musical landscape was changing, with rock&roll replacing jazz as the darlings of music consumers.
Bookings for Spain only.





