Chaired by Florian von Hoyer (Germany), artefactYou
with Mandy Aubry (The Netherlands), Songtrust;
Deborah Smith (UK), Anara Publishing
Whenever your music is streamed, purchased, used, spun on the radio, or played live in some place on Earth, there are royalties to be collected. In order to get access to all your performance and mechanical royalties from around the world, you need to go beyond your local or national Performing Rights Organisation or collection society.
Confused by the so called ‘writer share’ vs. ‘publisher share’ of royalties? What is a performance royalty vs. a mechanical royalty? How can I access my writer royalties if there isn’t a PRO or CMO in my territory? Come and join us to learn more from our panel of experienced music industry professionals how you can access all the publishing royalties due to you, no matter where you come from.