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Tel Aviv based guitarist and oudist Amos Hoffman started playing guitar at the age of 6, and oud a few years later. He studied guitar privately, and attended the prestigious Rubin Academy of Music in Jerusalem. His search for new musical experiences led him first to Amsterdam, and then to New York City, where he played jazz with both established musicians like Dennis Charles, Evelyn Blakey and Juma Santos and up and coming talents like Jason Lindler, Omer Avital, Sam Newsome, Jay Collins, bassist Avishai Cohen, Jorge Rossi and Duane Eubanks. He also began a more formal study of Middle Eastern music with Lebanese oud and ney player, Bassam Saba.
In 1998, he recorded his first solo album The Dreamer for the Spanish Label, Fresh Sound/New Talent. He has also contributed to numerous other projects, including Ben Wolfe's 13 Sketches, 1997, Jay Collins' Cross Culture,1999, Sam Newsome 1999 and bassist Avishai Cohen's Continuo, 2006, Colors 2000 Devotion, 1999 and Adama, 1998.
After returning to Israel at the end of 1999, he began to compose the music that would eventually become the tracks on Na'ama, released in 2006 on Magda records. On Na’ama, Hoffman plays homage to the traditions of classical Arabic music - the taqasim (improvisation) and the maqam (scales). All 12 tracks are original compositions, inspired by the great Arab composers of the 20th Century.
Further pursuing his passion for combining jazz with Middle Eastern music, his newest work is Evolution (RazDaz), a ten track exploration of melodies and rhythms that incorporates compositional and improvisational elements common to both musical genres. His long-time friend and musical associate Avishai Cohen, who plays contrabass, piano and contributes vocals, joins Hoffman on Evolution. Rounding out the CD’s line up are two of Israel’s most prominent musicians - ethnic percussionist Ilan Katchka and flautist Ilan Salem.