Rhythms, Rights & Renaissance: Africa's Music Rise

Can Africa turn its musical dominance into an economy that travels?

Andre le Roux by Concerts SA
Aisha Fancy
Augusto Veiga by Evandro Persona
Teshome Wondimu
  • event type:WOMEX 26 Conference Session
  • date:23 Oct 2026
  • time:11:00 - 12:00
  • city/area:Gran Canaria, Las Palmas de Gran Canaria
  • venue:Conference Room 4
  • country:Spain
  • event posted by:Piranha Arts

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Chaired by
Andre Le Roux (South Africa), IKS Cultural Consulting
With
Aisha Iyanuoluwa Fancy (Nigeria), Ejoya/ Elite Collectives;
Augusto Veiga (Portugal/Cape Verde), A.V Produções;
Teshome Wondimu (Ethiopia/Sweden), Selam

Africa holds roughly 18% of the global population while capturing just 0.3% of global recorded music value. Why is Africa's cultural influence still so poorly monetised?

The answer may lie beyond streaming. Live music, touring and cross-border artist mobility are expanding, creating income streams recorded music alone cannot provide — even as fragmented markets, visa barriers and weak infrastructure hold artists back. Meanwhile, modernising royalty systems, cleaner copyright metadata and mobile-money payments could help more of this value stay on the continent.

This panel asks what it will take to move from cultural influence to economic power — and from local success to genuine continental circulation.