Marjo Smolander


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  • artist:Marjo Smolander
  • featured artist:Ahmed ag Kaedy, Dawda Jobarteh, Yatma Thiam, Mocodou Samb, Eliza Boye Mouritsen, Mikko Hassinen, Jenni Hanikka
  • region:Northern Europe
  • release year:2021
  • style(s):Afro, Ethno
  • country:Finland
  • formats:Audio File / Digital, CD (Compact Disc)
  • record posted by:SINIMUSO / Eve Crazy & Mar Yo
  • label:manus
  • publisher:manus
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Marjo plays a traditional Finnish instrument called Kantele. Her way of playing this instrument is certainly unique. Since 2006 Marjo has regularly visited Senegal and Mali, and as a result her musical style has evolved to incorporate the tough and rhythmic features of Senegalese and Malian music combining them with the Finno-Ugric music she first heard as a child.

In the album “Cosmologies” Marjo collaborates with different artists from different countries. West Africa is strongly presented. The album was recorded in living rooms and standard recording studios across four different countries, Finland, Senegal, Denmark and Mali. The driving force behind the album was the exploration of musical communication between artists from different cultures and how emotions and stories were transmitted to people who have different cosmologies. The musical traditions of the different cultures represented in the album are presented in an inspiring and fluent way. Music is not just music. It talks. It comforts. And it nurtures.

One of the main themes of the album is motherhood “Many of the songs have been inspired by parenting - growing up with it and the associated contradiction and guilt about my own inadequacy” Smolander opens the album’s theme.

The album is a diary, a statement and a portfolio all at the same time. Rough and honest stories combined with surprising and beautiful arrangements bringing you inside Smolander’s musical cosmology.

”Cosmologies connect both distant cultures and temporal layers. The Värttinä like Finnish traditional sound does not stay behind for the West African sound, but is the combining element of the record. Occasionally, the rhyme that changes from song to speech transforms from ancient spells to seamlessly reach the styles of modern rap lyrics. This folk music or the music of people’s has not collected dust, and the record has been made with open, wide eyes.– Great performance. ” Ari Vanha-Majamaa, Riffi 24.02.2021,