• NEXT EDITION
  • 21-25 OCT 2020
  • Budapest, Hungary

The Showcases

 

 

Photo by Max Weissenfeldt

Alogte Oho & His Sounds of Joy (Ghana)

Alogte Oho grew up in the rainforest of southern Ghana, before moving up to the land of the Frafra people in the savannah of the north, where he first encountered the sounds of the singing and drumming of the church. Drawing on this inspiration, he became a well-known Frafra gospel singer, leading to an encounter with Philophon’s Max Weissenfeldt in 2013 and his first international release in 2019.

 

 

Ana Carla Maza (Cuba/Spain)

When Ana Carla Maza plays, you can feel that the music is in her blood. Born in Cuba into a family of jazz musicians, trained cellist and vocalist Ana Carla writes music that embodies passion, innovation and grace, allowing us to breathe a sigh of relief, knowing that the future of jazz and its cousins are in safe hands.

 

 

Photo by Hakan Alak

Coşkun Karademir Quartet (Turkey)

Coşkun Karademir, the Anatolian bağlama and kopuz master, performs with Cem Ekmen (duduk), Uğurcan Sesler (cello) and Ömer Arslan (percussion), bringing together people, traditions and history through a moving, emotional and mystical narrative.

 

 

Photo by Géza Galán

Dalinda (Hungary)

Based in Budapest, Dalinda are an a cappella trio performing Hungarian folk songs with a modern and polyphonic twist. Three distinctive voices bring new attitude to a common human experience, shared in folk music and shared with the voice - ‘the purest source of our self-expression’.

 

 

Photo by Yannick Siegel

Djazia Satour (Algeria/France)

Djazia Satour explores her Algerian legacy through a unique mix of indie folk, pop, chaabi and the rhythms of bendir-s, to create a sound that nourishes the authenticity of a modern, creative and refreshing artist in a new form of borderless Mediterranean future folk.

 

 

Photo by Min Kim

Dongyang Gozupa (South Korea)

Not quite satisfied with having to live with one foot in a progressive rock band and the other in a Gugak (traditional Korean) band, Eunhwa, Wooyoung and Dohyuk decided to fuse the two genres. The result? You won’t believe that they are only three on stage, with the Yanggeum (Korean hammered dulcimer), bass and percussion blending and creating an experience that is intense, powerful, beautiful and colourful.

 

 

Photo by Dunja Oplako

El Khat (Yemen/Israel)

Playing on instruments – old, new, and some re-purposed from junk - El Khat are a Tel Aviv-based band delving into Yemen’s ancient culture and delivering an indelible stamp of polyphony, free improvisation, ancient folk songs and attitude. The band name refers to the social custom of chewing khat, a highly addictive leaf. Make of that what you will…

 

 

Photo by Jeho-Nephte Abraham

Erol Josue (Haiti/USA)

An active Vodou priest, actor, songwriter, roots researcher and dancer, born into the traditions of music and ritual which nourished his creativity, Erol Josue takes over space and time in his deep performances and re-imagining of Vodou musicality.

 

 

Photo by Marco Dalmasso

Fanfara Station (Tunisia/USA/Italy)

Fanfara Station celebrates the epic feats of the Mediterranean migrants and the musical cultures of the African diaspora that they bring to connect the Middle East, Maghreb, Southern Europe and America. Charles Ferris, Ghiaccioli e Branzini and Marzouk Mejri combine the power of a brass band with electronics meeting North African vocals and percussion.

 

 

Photo by Chrigel Dietrich

Fokn Bois (Ghana/Romania/Hungary/UK)

Monty Python meets a West African OutKast - think gospel porn, think quirky and creative. Fokn Bois aka M3NSA and Wanlov the Kubolor combine lyrics, electronics, visuals and keys, to create something quite raw, witty and braggadocious.

 

 

Photo by Zizuke

Fulu Miziki (DR Congo/Uganda)

Since 1999, founder Pisco Crane has worked tirelessly to develop a musical genre that is built on the sound of found items and it is now ready to take the world by storm. Featuring the amazing Lady Aicha on vocals, Fulu Miziki inspires eco-consciousness, resilience, creativity and offers a heavy dancefloor shakeup.

 

 

Hugar (Iceland)

Combining a shared passion of music and an impressive resumé working alongside Icelandic luminaries, Icelanders Hugar are multi-talented instrumentalists Bergur Þórisson and Pétur Jónsson who have forged a beautiful ambient slowmex musical lane, glowing with their own genre-defying sound.

 

 

Photo by Mandy Adams

Justin Adams & Mauro Durante (UK/Italy)

What does post-punk London and the spell-binding sounds of Southern Italy’s taranta have in common? More than you might think. In this driving duet, Justin Adams (Robert Plant, Tinariwen, Rachid Taha) and Mauro Durante (Ludovico Einaudi, Canzoniere Grecanico Salentino) come together to create a whole new type of earthy, raw and emotive blues.

 

 

Photo by Juan Camilo Montañez

La Perla (Colombia)

La Perla is a female percussion vocal trio, exploring and representing the Colombian Caribbean culture with an innovative and explosive formula.

 

 

Photo by Satellite Entertainment Lilongwe

Madalitso Band (Malawi)

Intuitive, authentic and full of ruthless rhythms, the two-man Madalitso Band will inspire you to clap, dance, and refresh your vision of southeastern African music. Singing in Chichewa, their latest album Wasalala is stripped back, raw, down home. Proud of their D-I-Y ethos, they say "why should we buy our instruments, when we can build our own, and get the sound we want?"

 

 

Širom (Slovenia)

Širom are a trio who perform on over a dozen instruments and oscillate between folk and contemporary acoustic rock-style meditations. The result is a character self-described as mystical minimalism, imaginary folk, expansive and contemplative.

 

 

Photo by Marco Torres

Son Rompe Pera (Mexico)

Originally performing alongside their father, the Gama brothers grew up on the outskirts of Mexico City playing marimba at local events. Via a short youthful rebellion to various punk, garage, rockabilly and ska bands, they now return to their marimba roots with a fresh latin-punk-cumbia approach.

 

 

Photo by Hernan Blanco

Yorkston/Thorne/Khan (India/UK)

They are: James Yorkston, key singer-songwriter on the Scottish folk scene on guitar, nyckelharpa and voice; Jon Thorne, jazz double bassist with electro outfit Lamb; and Suhail Yusuf Khan, multi-awarded, seventh-generation sarangi player and classical / sufisinger from New Delhi. Put them together and you are moved into an emotional landscape of improvisations, raga roads, heart songs that reach into tradition and out to the contemporary.

 

The Club Summit 2020

 

 

Guedra Guedra - كدرة كدرة (Morocco)

Casablanca’s DJ, producer and sound researcher Guedra Guedra - كدرة كدرة , is driven by a desire to explore and research African ancestral rhythms and rituals. His performances bring this to light, fiercely blending contemporary electronic with polyrhythms and his plethoric bank of field recordings, taking you on a journey from psychedelic vintage to global bass.

 

 

Photo by Alex Breshaw

Nickodemus (USA)

New York City-based Nickodemus is not a new name in any sense. Touring as a DJ since the mid-90s, he is an experienced music traveller and is the man behind the label Wonderwheel Recordings. Rooted in bringing the sounds of the globe to the dancefloor, he has done mixes for artists including Mr Scruff, Quantic, Bomba Estereo, Thievery Corporation and more.

 

 

Studio Bros (São Tomé and Principe/Portugal)

Fábio Miguel ‘famifox’ and Miguel Batista ‘nunex’ started their journey in 2007, producing and mixing traditional African rhythms with electronics. This Lisbon-based duo have been making their mark on the afro-house club-scene; that recognition continues to grow as their sound reaches out to international stages.